Graduate students

Moozhan Ahmadzadegan

Moozhan Ahmadzadegan

Painting, screenprinting, textiles, installation
Moozhan Ahmadzadegan is an artist from the unceded and traditional territory of the Syilx Okanagan people, commonly known as the Okanagan, and currently based on the traditional and unceded lands of the Lekwungen peoples, known today as Esquimalt and Songhees Nations. He received a BFA from the University of British Columbia Okanagan with a Major in Visual Arts and a Minor in Art History and Visual Culture in 2019. His work explores Iranian diasporic and queer themes, most often engaging the mediums of painting, screenprinting, textiles, and more recently installation practices. Through these mediums, he investigates how we respond and engage with the colonial social and cultural structures that shape identity on personal and public scales. Moozhan examines traditional Iranian art such as Persian miniatures, patterns, rugs, architecture, and poetry, and reimagines them through a queer lens. With this, he aims to reinterpret, reimagine, and reconfigure these elements to create new meanings and narratives.
Jillian Bogan

Jillian Bogan

discipline
Text description
Jesse Campbell

Jesse Campbell

discipline
Text description
Bria Fernandes

Bria Fernandes

discipline
Text description
Corrie Hamm

Corrie Hamm

discipline
Text description
Guna Jensen

Guna Jensen

discipline
Text description
Graeme Jones

Graeme Jones

discipline
Text description
Ivy Miller

Ivy Miller

discipline
Text description
Francis Okai

Francis Okai

Multidisciplinary
Francis Okai is a Ghanaian multidisciplinary artist currently pursuing a Master of Fine Arts at the University of Victoria. His practice explores cycles, memory, and interconnectedness through abstraction and material experimentation. Central to his work is the recurring symbolism of the circle, reflecting themes of continuity and transformation.

Working with mixed media, Okai often creates canvases from recycled denim sourced from Kantamanto Market in Accra, embedding sustainability and material history into his process. His work reflects an ongoing inquiry into material transformation, cultural narratives, and experiential spaces.
 Jasper  van Alderwegen

Jasper van Alderwegen

Painting, Sound, Multidisciplinary
Jasper van Alderwegen (he/they) is an artist born and based on unceded Lekwungen and W̱SÁNEĆ Territories (Victoria, BC). His practice explores abstraction, illusion, and multiplicity as they shape modern identity and social structure under late-stage capitalism, working through painting and sound. His process emphasizes experimentation and inexpert handling, using traditional methods imperfectly to foreground spontaneity, contradiction, and emergence. His recent oil paintings abstract and destabilize the visual language of heraldry and vexillology. Reimagining the blazon as a vessel for uncertainty and hope rather than authority, these works undermine the promise of fixed identity and legibility. Soft geometry, misaligned grids, wandering lines, erasures, and provisional marks replace stable symbols, allowing new forms to emerge that remain open, contradictory, and unknowable. This approach extends into sound installation, where musical notation becomes a form of drawing and scores operate as visual and spatial structures. By diluting and reinterpreting inherited systems of order, van Alderwegen’s work acknowledges history while holding space for ambiguity and utopian possibility.