Graduate students

Moozhan Ahmadzadegan

Moozhan Ahmadzadegan

Painting, screenprinting, textiles, installation
Moozhan Ahmadzadegan is an artist from the unceded and traditional territory of the Syilx Okanagan people, commonly known as the Okanagan, and currently based on the traditional and unceded lands of the Lekwungen peoples, known today as Esquimalt and Songhees Nations. He received a BFA from the University of British Columbia Okanagan with a Major in Visual Arts and a Minor in Art History and Visual Culture in 2019. His work explores Iranian diasporic and queer themes, most often engaging the mediums of painting, screenprinting, textiles, and more recently installation practices. Through these mediums, he investigates how we respond and engage with the colonial social and cultural structures that shape identity on personal and public scales. Moozhan examines traditional Iranian art such as Persian miniatures, patterns, rugs, architecture, and poetry, and reimagines them through a queer lens. With this, he aims to reinterpret, reimagine, and reconfigure these elements to create new meanings and narratives.
Francis Okai

Francis Okai

Multidisciplinary
Francis Okai is a Ghanaian multidisciplinary artist currently pursuing a Master of Fine Arts at the University of Victoria. His practice explores cycles, memory, and interconnectedness through abstraction and material experimentation. Central to his work is the recurring symbolism of the circle, reflecting themes of continuity and transformation.

Working with mixed media, Okai often creates canvases from recycled denim sourced from Kantamanto Market in Accra, embedding sustainability and material history into his process. His work reflects an ongoing inquiry into material transformation, cultural narratives, and experiential spaces.
 Jasper  van Alderwegen

Jasper van Alderwegen

Painting, Sound, Multidisciplinary
Jasper van Alderwegen (he/they) is an artist born and based on unceded Lekwungen and W̱SÁNEĆ Territories (Victoria, BC). His practice explores abstraction, illusion, and multiplicity as they shape modern identity and social structure under late-stage capitalism, working through painting and sound. His process emphasizes experimentation and inexpert handling, using traditional methods imperfectly to foreground spontaneity, contradiction, and emergence. His recent oil paintings abstract and destabilize the visual language of heraldry and vexillology. Reimagining the blazon as a vessel for uncertainty and hope rather than authority, these works undermine the promise of fixed identity and legibility. Soft geometry, misaligned grids, wandering lines, erasures, and provisional marks replace stable symbols, allowing new forms to emerge that remain open, contradictory, and unknowable. This approach extends into sound installation, where musical notation becomes a form of drawing and scores operate as visual and spatial structures. By diluting and reinterpreting inherited systems of order, van Alderwegen’s work acknowledges history while holding space for ambiguity and utopian possibility.
Kylie Fineday

Kylie Fineday

Multidisciplinary

Kylie Fineday is a nehiyaw (Plains Cree) artist and curator from Sweetgrass First Nation, a small community in rural Saskatchewan. Fineday completed the BFA-Art Studio program at the University of Lethbridge in 2020 with great distinction, an honours thesis, and the Faculty of Fine Arts Gold Medal, and is now an MFA candidate at the University of Victoria. Fineday’s conceptual practice focuses on themes of personal identity and family history, as well as addressing social and environmental issues and injustices, particularly those affecting Indigenous communities within Canada. Through a queer Plains Cree perspective, Fineday also uses natural materials in temporary installations and performance to exemplify a relationship with the non-human world that is based on reciprocity and kinship. Fineday’s material practice is multidisciplinary, and includes drawing, painting, photography, video, performance, sculpture, and textiles such as sewing and beadwork, as well as explorations with materials harvested from the natural world.

Leslie Marshall

Leslie Marshall

Filmmaker, intermedia artist
Lesley Marshall is an award-winning filmmaker, intermedia artist, and is a GFA candidate / sessional teacher at the University of Victoria. Projection art, films and music by Lesley have toured and screened nationally and internationally. They are the 2023 CMPA Diversity Mentorship Recipient for the CBC/PBS feature Animal Pride and a commissioned animator for CBC’s The Nature of Things. With work engaging with queer politics and crip theory, Lesley investigates experiential design through a responsive practice using performance art, projection and sound. Lesley sings dramatically in the gothic synth duo DIELECTRIC, has a 5 year old kiddo named LJ, and looks back fondly on a former life studying geography and plants in Ottawa. They grew up running around the backstages of opera houses and wish everyday to be eating pizza on the streets of NYC.
Mozhdeh Sajadi Hezave

Mozhdeh Sajadi Hezave

Painting, multimedia, installation
Mozhdeh Sajadi is a contemporary Iranian artist whose multimedia approach explores themes such as female identity, freedom, cultural censorship, resistance, and oppression. Using media such as painting, video art, and performance, she creates complex, layered narratives that reflect the lived experiences of women within socio-cultural contexts. In her most recent body of work, Sajadi draws upon the collective memory of dance and communal joy—rooted in Persian cultural traditions—as both a form of resistance and a restorative act. Through this approach, she proposes the preservation and celebration of cultural rituals as a means of countering repression and envisioning emancipatory futures.

Her work has been featured in four solo exhibitions and ten group exhibitions across Iran, Canada, and the United States. Notable international appearances include Collective Punishment at Musa Collective (Boston) and Lost and Found in Tehran at the Columbus Museum of Art (Ohio).

Sajadi is currently pursuing an MFA in Visual Arts at the University of Victoria in Canada. She holds a Master’s degree in Painting from Soore Art University and a Bachelor’s degree in Painting from the University of Science and Culture in Tehran. In addition to her artistic and scholarly pursuits, she has also taught as a university art instructor in Iran, further intertwining creative practice with critical discourse in her educational work.
Edith Skeard

Edith Skeard

multimedia
Edie Skeard (they/them) is a multimedia artist, flutist, and composer working primarily with sound, sculpture, & drawing. They are from Treaties 4 and 6 in Saskatchewan and are currently based on unceded lək̓ʷəŋən Traditional Territory known as Victoria, BC. They studied at the University of Regina, Saskatchewan, receiving a BAhons in Philosophy focusing on ethics and a BFA in Visual Art working within printmaking. They are currently a first year MFA candidate at the University of Victoria in the department of Visual Arts. 
 
Their work focuses on building uncanny and generative spaces through the intersection of light, sound, people, duration, and tactility. They are interested in collecting and collaging field recordings and improvisational sound, how sound creates or erases spatial boundaries, tenderly noticing their environment, ontological questions within making, sound as touch and future archive, and the weaving together of sensory mediums