This website stores cookies on your computer. These cookies are used to collect information about how you interact with our website and allow us to remember your browser. We use this information to improve and customize your browsing experience, for analytics and metrics about our visitors both on this website and other media, and for marketing purposes. By using this website, you accept and agree to be bound by UVic’s Terms of Use for web and social media privacy.  If you do not agree to the above, you can configure your browser’s setting to “do not track.”

Skip to main content
People Departments Maps Buildings Rooms A-Z
University
of Victoria
Apply Library
Sign in Online tools Sign out
English

Babak Ashrafkhani Limoudehi

Babak Ashrafkhani Limoudehi

Sessional lecturer

English

Contact:
Office: CLE D226
Credentials:
BA (SBUK), MA (IAUCTB)

Babak Ashrafkhani is a PhD candidate in English at UVIC. He completed his BA and MA in Iran, and has held teaching positions at various institutions, including Guilan University of Medical Sciences, where he won a Teaching Excellence Award in 2019. Babak’s main research interest lies in Contemporary British Drama, Thatcherite Fiction, Environmental criticism, Cultural Studies, the Anthropocene, Eco-Theatre, and Nature Writing. Babak has, in recent years, published Farsi translations of several plays and other texts, including Hisaye Yamamoto’s short story collection Seventeen Syllables, Edward Bond’s play Bingo, and Christopher Durang’s For Whom the Southern Belle Tolls. He has staged a few plays including Interview by Mohammad Rahmanian, and There is no Return by Eric Bradwell.

Recent Scholarly Activity:

“A Journey towards Womanist Agency in debbie tucker green’s trade.” Journal of Contemporary Drama in English 12.2 (2024).

“Towards a Post-gender Cyborg in Ella Hickson’s Oil: An Edenic Anthropocene.” Pathways: The Ontario Journal of Outdoor Education, 35(3), Spring (2023).

“Anthroparchic Gynocide/Genocide vs. Capitalist Patriarchy: An Ecofeminist Reading of Zadie Smith’s Two Men Arrive in a Village.” Iafor: Journal of Literature and Librarianship, 9.2 (2020): 102-113.

“An Anthropogenic Upheaval: Edward  Bond's Bingo, Shakespeare's Enclosure, and Terrocentric Identity.” Ecumenica: Journal of Theatre and Performance, 10.2 (2017): 19-28.